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This bibliography is associated with the ongoing research project titled ‘The Dimensions of a Sphere.’ The resources are systematically arranged based on the order of their exploration during the research process, and continual updates are made as the investigation unfolds.

Janet H. Murray, Hamlet on the Holodeck, updated Edition: The Future of Narrative in Cyberspace (MIT Press, 2017).

Michael Bernsteiner, «3D Audio Sound Design: Creating Immersive Spatial Audio Experiences», FH JOANNEUM University of Applied Sciences, septiembre de 2019,

Chenyan Zhang, Andrew Perkis, y Sebastian Arndt, «Spatial Immersion versus Emotional Immersion, Which Is More Immersive?», 2017 Ninth International Conference on Quality of Multimedia Experience (QoMEX), 1 de mayo de 2017,

Karen Collins, Bill Kapralos, y Holly Tessler, The Oxford Handbook of Interactive Audio (Oxford Handbooks, 2014).


Michele Geronazzo y Stefania Serafin, Sonic interactions in virtual environments (Springer Nature, 2022).

Karmen Franinovic y Stefania Serafin, Sonic interaction design (MIT Press, 2013).

Werner Wolf, Walter Bernhart, y Andreas Mahler, Immersion and distance.: Aesthetic Illusion in Literature and Other Media. (Rodopi, 2013).

Peter H. Diamandis y Steven Kotler, The future is faster than you think: How Converging Technologies Are Transforming Business, Industries, and Our Lives (Simon and Schuster, 2020).

Paul Roquet, Ambient media: Japanese Atmospheres of Self (U of Minnesota Press, 2016).

Mark Grimshaw y Tom Alexander Garner, Sonic virtuality: Sound as Emergent Perception (Oxford University Press, USA, 2015).

Paul Roquet, The immersive enclosure: Virtual Reality in Japan (Columbia University Press, 2022).

Barrio, Felipe Gértrudix, y Manuel Gértrudix Barrio. «Etnografía de una música envolvente». La Revista Icono 14 7, n.o 2 (1 de julio de 2009): 259-77.

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